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With mobile penetration exceeding 100% of Australias population, the mobile phone is now undeniably part of the fabric of our lives. In business, mobile data has become the latest frontier for companies seeking greater responsiveness in the face of rising competition and customer expectations. For many organisations, geographical expansion and the continual search for a better work/life balance for their employees also mean increasing numbers of workers are spending more time outside the office and relying more on wireless technology to stay connected.

The first major milestone in Australian business mobility came when Telstra unveiled the BlackBerry wireless email solution in 2003. Since then, the other three mobile carriers along with a host of other wireless email solutions have flooded the market with choice and greater affordability. More than three years after its first debut, wireless email has now become the most popular business application being mobilised by Australian organisations.

As the mobile carriers continue to roll out higher-speed networks and mobile applications become more commonplace, the market is experiencing another significant milestone, where Australian companies are beginning to mobilise business process centric applications in a major way. Notable applications include customer relationship management (CRM) for sales and marketing personnel, workforce automation and inventory management for workers in the field, and industry-specific applications such as mobile transactions, location services and assets tracking. Challenges

The rapid growth in mobile business applications does not come without challenges, however. The additional data traffic mobile workers generate and their growing needs for a better user experience are putting considerable strains on the corporate network. As a result, companies with a growing mobile workforce are encountering the formidable task of ensuring their corporate infrastructure and business support systems can accommodate the change.

Technical issues organisations are likely to face include:

Network Readiness. More mobile workers accessing company data mean increases in traffic on the corporate network. Access to bandwidth-hungry business applications, as well as real-time and multi-modal communications, such as voice and video conferencing, makes network scalability and quality of service a critical consideration.

Remote Access and security. As with wired remote access users, mobile workers using a wireless connection increase the risk of the corporate network being exposed to unauthorised users. Increasing numbers of viruses and malicious codes are also making their way to the mobile world. Wireless Standards. Despite its rapid developments, the wireless industry remains a highly fragmented market in terms of standards, with many incompatible and proprietary technologies each offering its own unique advantages. The large number of mobile device choices and operating systems available on the market today only serves to exacerbate the situation.

Mobile Device management. Mobile devices used in an organisation, either centrally or individually purchased, tap into the company's network and databases, and must therefore be properly monitored and managed. Unmanaged mobile devices can bring serious security risks (viruses and hacking) to the organisation, as can the misplacement and theft of those devices.

Back-end Integration. Given the variety of back-end systems in an enterprise, it is crucial that mobile solutions integrate seamlessly with the existing infrastructure. Companies also have to ensure their applications are ready to meet the needs of mobile workers and the specific requirements of the mobile devices they use without substantial modifications to the databases or applications being mobilised.

On the business front, companies are facing the following challenges:

Cost Control. implementing mobile solutions invariably involves for both upfront and ongoing costs. Obtaining accurate estimates of total cost of ownership can be difficult. In addition, businesses will need to take into consideration the cost of wireless connectivity which can be significant, particularly when there are no centralised subscription plans.

ROI Justification. Justification of the benefits, especially intangible or soft benefits like improved workforce productivity and business efficiency, can be difficult to quantify, and can vary greatly among the various types of mobile users. At times, companies may have to justify the lack of a demonstrable ROI instead.

Training and Support. The resources to support the mobile solution being put in place are as important as the solution itself. User training must take into account the existing knowledge and offer ongoing formal and informal training programs. The IT department's buy-in on technical support and user training forms a key part of a successful mobility strategy.

Convergence and mobility

Many Australian businesses are merging their voice and data communications onto one platform. That move, made possible by Internet protocol (IP) technology, is also allowing them to amalgamate traditionally disparate telecom and IT networks, simplifying the procurement and administration of technologies and greatly reducing costs.

With IP as the common enabler of the technology roadmaps of businesses and carriers alike, convergence is also blurring the demarcation between private and public networks. Since IP is at the heart of wireless radio and mobile device developments, it is natural for businesses to leverage their IP infrastructure and integrate mobility as part of their convergence strategy. In other words, IP is also melding wireless and wireline technologies, thus playing an instrumental role in helping organisations achieve advanced stages of mobility deployment.

Given mobility technology will become an inextricable element of the corporate IT infrastructure, future challenges will likely become even more complex. Therefore, it is critical that decision makers adequately address the early challenges raised here, or they will miss the opportunity to realise the full benefits of mobility and risk falling behind competition.

about the Author

Warren Chaisatien is the Managing Director of http://www.telsyte.com.au an Australian-based market research and consultancy specialised in the competitive intelligence of the converged communications market. Telsytes expertise is centered around the three core competency areas of Carrier & Broadband, Mobile & Wireless, and Enterprise communications. Telsyte provides industry insights through custom research and consulting as well as ongoing research, including market reports and online databases.

The golf slice is one of the average golfer's most common game play mistakes. In golf, there is probably nothing more frustrating as practicing your perfect golf swing and finding out that your ball is sliced more times than you hit straight. If you are one of these golfers who suffer from the annoying golf slice, we reckon you probably want it to be corrected as soon as you can. You may probably be asking 'How do I correct my Golf slice'?

To help you how to correct your golf slice, it is important to know that are the possible causes of it. In set up, there are a number of possible causes. This include bad grip or when the club is held so tight that tension is formed at the arms of the player, causing him to perform an outside to in swing. To correct a bad grip, try to loosen up your grip. Imagine you are grasping a little bird instead of a club make your grip tight enough to keep the bird from escaping, but loose enough not to constrict it to death. However, having a week grip will cause you to have a clubface that is open. Solve this by turning both of your hands clockwise at the club.

Bad alignment is another cause of slice. The best thing to do is to align the shoulders and feet in such a way that they will be parallel to the imaginary line from the ball to the target. A faulty ball position is also a cause of golf slice. This can be remedied by not placing the ball quite far as this can make the shoulder to open and create a swing path that is outside-to-in. You can also move back the golf ball into your stance though still a little but forward from center. This is to make sure that the club is parallel to the line from the ball to the target. The clubface angle is another factor you should look into. Make sure that the clubface is lined up squarely with the line from the ball to the target.

Problems with the swing also cause golf slice. These problems include poor transfer of weight. You should transfer your weight to the front from the back foot. A good way to eliminate slice is by using the renowned 'down the fairway' drill by Gary player: hit your drive and take a forward step on follow through. Another drill you can use is the so-called stepping drill which is basically exaggerating your weight transfer by raising your front leg when on the subsequent backswing and transferring your weight to your back foot.

For more tips to correct your golf slice, visit http://www.curegolfslice.net

For all energy and beauty of the body, all sureness and boldness of the sword, but also all genuineness and ingenuity of the understanding, are grounded in the spirit, and they rise or fall only according to the correct power or powerlessness of the spirit. Spirit is what sustains and rules, and first and the last, not merely indispensable third element

-Heidegger in the fundamental questions of metaphysics

Non-figurative art shows that art is not the expression of the appearance of reality such as we see it, nor of the life which we live, but that it is expression of true reality and true lifeindefinable but realizable in plastics.-Mondrian

It is now a fact that in culture almost every thing is politicized, organized, structuralized and has lost its generic value. In arts there is always a danger of to be politicized especially in fine art, cinema, and theater since these art forms are most prone to it because of these being most communicative languages. And when a theory of exploitation is in existence which sees language as a tool for repression and exploitation than one must take precaution. Another danger is from capitalism who do consider art as a product to be produced mechanically so far they could do business and create more and more capital. not satisfied by what they do earn from industrial production they want to make quick money from art works and not in open market rather in virtual field i.e. in auction mechanism.

These both trends will do no good to artists and art. Artist community should be aware of these dangerous trends in order to rescue the spirit of art. In fine art, abstract art genre faces no danger from political side since its power of communication is very limited but for figurative art this danger is looming large and we have seen how Husain, Nalini Malani, Arpita Singh and many other Indian modern artists has been corrupted and their consciousness has been purchased. Husain is captured by the above said both specters; first he was corrupted politically than purchased in 100 million by an industrialist thus having lost his consciousness of freedom, the very condition of to be modern he is finished.

This danger of being exploited is most critical question than an attack from a fascist regime. You can easily face the enemy if he comes in open but an enemy who is insider and have camouflaged, not easily identified than it would be tough to defeat that enemy. Fascism no doubt is our enemy but most important enemy is that one in which these all political singularities like liberal parties, pseudo Marxist parties etc. are interknitted. This enemy is identified as capitalism, in India it is feudalist-capitalism characterized by non progressiveness.

On this juncture of history no philosophy of reason can save the most sublime aspect of humanity i.e. culture. But art have that spirit since it had always fought against these forces. Those art forms which represent appearances figuratively, or narrate in a visual language had always been victim of political. However there were artists; who in figurative genre did something remarkable and immortal. Starting with Da Vinci Leonardo we have Matisse, Cezanne, Vincent Van Gauge, Paul Gauguin, Henri Moor, and Brankusi, who were engaged in creating something new other than appearances.

They wanted to transcend empirical reality, more correctly they wanted to separate art work from it since they believed that by doing so they will be able to create a second nature. This is why for these masters artworks are answers to their own questions of art. These artists were advocates of autonomy of art. Without autonomy art can not be creative as for as creativity is concerned. This question of autonomy is very important today since some political minded artists want to politicize art. The danger of loss of autonomy is not only from political side, it is also from them who want to convert art in industry and art work as an industrial production.

Artists should realize their responsibility sincerely in order to create something new. Art is not production. Art work inaugurates the truth; act of art is inaugural not political or declarations nor appeals nor interpretations of history, as we see today. In fine art only abstract art has the possibility to take a leap from the all hitherto subjects of representation because it is only available form of visual language other than philosophy which can think and take a leap. Being inaugural abstraction has no purpose other than itself i.e. completion of work in progress.

Work in progress is the very field where abstraction finds its horizon, its immanence. Abstract painting is not made; it is inaugurated in the process. This process is subjectively mediated but objectively accomplished. Abstract painting says nothing other than itself. It is poem, a visual poem but without meaning. To belong to the language of abstraction, means that we disappear in to the event of painting.

In Indian modern art context there are few masters who give us hope today. Today many abstract artists are producing designs in the name of abstract art; they dont understand the demand of abstraction except market demand. They are selling abstract art in the name of spiritual art though they dont know what is spiritual. These artists are mostly from a recently born school called Bhopal school of which there is a pope ( not naming now ) and a sanrakshak artist. This school follows Raza since sometime he promotes them and distributes them Raza award. They are religious-spiritual in their tone and language.

I have come across many artists who are cleverly using religious words and terminology as a title for their paintings though they have never come across those philosophical concepts. Abstract artist should not identify abstraction with religion since abstraction is a modern concept of art. It may or may not be necessarily spiritual and mystical; abstraction is just going beyond empirical reality, it is transcendental. This is why it is more concerned with philosophico- mysticism than religious.

In India abstraction has become religious; it has lost its philosophical flavor. The most important abstractionists in India like Raza, Gaitonde, Sohan qadri, G.R.Santosh, O.P.Sharma., KC.S.Pannikar, J.Swaminathan (before initiated in vedanta swami was materialist) etc are religious abstractionists. They do associate themselves with religions and religious mysticism. Though it is not bad concept regarding abstraction (if one really understands religious consciousness) yet it dilutes artists consciousness because of which they do not really experiences the real ecstasy of artistic creation.

Abstraction as an experience itself; an experience in which one discloses him self into work of art is what is described by modern masters and aestheticians as an act of abstraction. In Kandinskyan sense too, Abstraction is the seeking of the inner by the way of the outer means through work in progress one opens himself. Abstract art work is spiritual only through the negation; it speaks the language of neti neti. Abstraction gives freedom to negate but it is not nihilism; it crates something out of nothingness but at the same time this something is not about something. It is that something itself, it is self sufficient entity: it is a work of art. This is why it is autonomous entity and demands autonomy for its existence.

From this point of view Abstraction is not considered as a genre rather as another form of expression within visual language. And it must be considered as such because this is the only platform from where one can take a flight. This is its relevant today when art has been considered political if not social. When postmodernism as a philosophy of life is knocking our doors and pursuing us through communication industry to indulge in a sheer material pleasure by declaring the demise of subject itself; the theory of abstraction becomes more important. Abstraction is most revolutionary of all art forms because it defies rationalist challenges and gives hope to humanity. Mans manliness is not only the gratification of desires rather to discover his being. See what Heidegger says in his poem -

At first take the last glow of blessing

from the dark hearth of be-ing

that it may kindle the countering:

godship-human kind is one.

Through the distress of bold clearing

Between the world and the earth as song

To inaugurate all things

In joyful thanks to accord and rank.

Shelter in word the silent message

Of a leap over the large and small

And lose the empty findings

Of a sudden semblance on the way to be-ing.

Author is an art critic and writer of three books 'contemporizing Buddha', ' Hindu Tantra Yoga' and 'Concerning The Spiritual In Art-an Indian modern art perspective'. He has been awarded with 'Lalit kala Academy Scholarship Award' for art criticism in 2005. Currently working on a book 'Buddhist tantra yoga'. He lives and works in delhi India.